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"[C]ritics of stained glass have wondered how thirteenth-century
glaziers were able to use human figures so much more effectively than
anyone since. Deriving inspiration from their example, departing from
there to explore an eclectic variety of pictorial traditions, Thompson
makes a powerful argument that "artlessness" is the key."
--Geoffrey Wichert, Neues Glass
"Catherine’s
work is extraordinary: she resurrects the essence of Medieval color and
form, endowing it with a narrative and internal light that is all her
own."
--William Warmus, Corning Museum of Glass
